Institution · Orpheus Institute
Most cited papers from Orpheus Institute
What are the most cited papers from Orpheus Institute?
The most cited paper from Orpheus Institute is "The entanglements which make instruments musical: Rediscovering sociality" (Simon Waters, 2021), with 28 citations. Next come "Gilbert Simondon’s ‘Transduction’ as Radical Immanence in Performance" (15) and "Networks: Introduction" (14).
Showing 50 of 70 papers. Every paper is listed.
| # | Paper | ||
|---|---|---|---|
| 1 | The entanglements which make instruments musical: Rediscovering sociality Simon Waters · Journal of New Music Research | 14 Mar 2021 | 28 |
| 2 | Gilbert Simondon’s ‘Transduction’ as Radical Immanence in Performance Paulo de Assis · Performance Philosophy | 21 Dec 2017 | 15 |
| 3 | Networks: Introduction Juan Parra Cancino · ECHO a journal of music thought and technology | 9 Jul 2021 | 14 |
| 4 | Experiment! Towards an artistic epistemology Michael Schwab · Journal of Visual Art Practice | 4 May 2015 | 11 |
| 5 | IUBMB/PSBMB 2019 Conference/Plenary: Mentoring in postgraduate training and the role of Organization for PhD Education in Health Sciences in European System Hakan S. Orer · Biochemistry and Molecular Biology Education | 23 Mar 2020 | 6 |
| 6 | Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance Esther Coorevits, Dirk Moelants, Stefan Östersjö et al. · Lecture notes in computer science | 2016 | 4 |
| 7 | Improvising with Architecture Nicolas Collins · Resonance The Journal of Sound and Culture | 2021 | 3 |
| 8 | Temporal Changes in Shiller's Exuberance Data Mukul Pal, Adrian Mitroi, M. R. Shah · SSRN Electronic Journal | 2011 | 3 |
| 9 | (Re-)Searching Artists in Artistic Research: Creating Fertile Ground for Experimentation at the Orpheus Institute, Ghent Kathleen Coessens, Darla M. Crispin, Luk Vaes · Landscapes: the arts, aesthetics, and education | 26 Aug 2013 | 3 |
| 10 | Modeling – Imaginative Descriptions of Real Things: Learning About Historical Musical Instrument-Making Practices from New Technologies Simon Waters · Music & Science | Mar 2025 | 2 |
| 11 | Gilbert Simondons ‚Transduktion‘ als radikale Immanenz der Performanz Paulo de Assis · Performance Philosophy | 21 Dec 2017 | 2 |
| 12 | Improvisation as Experimentation in Everyday Life and Beyond Anne Douglas, Kathleen Coessens · Leuven University Press eBooks | 4 Dec 2017 | 2 |
| 13 | The Divergence Cyclicality Mukul Pal, Ioan Alin Nistor · SSRN Electronic Journal | 15 Aug 2010 | 2 |
| 14 | The BRIC Model from a Japanese Perspective - Pre and Post Financial Crisis Review and Forecasts Ioan Alin Nistor, Mukul Pal · SSRN Electronic Journal | 5 Aug 2010 | 2 |
| 15 | Experiencing Indeterminacy in Performance Catherine Laws · Contemporary Music Review | 4 May 2022 | 1 |
| 16 | Music, discourse and intuitive technology Jonathan Impett · AI & Society | 28 Jan 2021 | 1 |
| 17 | GENRE OF A CONCERT-CONVERSATION IN THE HISTORY OF TELEVISION Orpheus Radio, TATIANA A. TSVETKOVSKAYA · The Art and Science of Television | 2020 | 1 |
| 18 | (Re-) Presenting an altered interactive system. On et ego, a piece for classical guitar, two piezoelectric microphones and electronics daniela fantechi · EAI Endorsed Transactions on Creative Technologies | 20 Apr 2020 | 1 |
| 19 | Jewish Roots of Gestalt Therapy Ernst Knijff · Gestalt Review | 2003 | 1 |
| 20 | Stock Market Stationarity Mukul Pal, Marina Ferent-Pipas · SSRN Electronic Journal | 2015 | 1 |
| 21 | Time Duration Decay In Romanian Capital Markets Mukul Pal, Ioan Alin Nistor · RePEc: Research Papers in Economics | 10 Dec 2010 | 1 |
| 22 | Defrosting Sound Beyond the Here and Now Bruno Forment | 22 Jul 2026 | 0 |
| 23 | Ampliando los campos de investigación en Artes Entrevista a Paulo de Assis Paola Muñoz, Sebastián Arriagada, Paulo de Assis · Artexégesis Revista de prácticas artísticas e investigación | 31 Mar 2026 | 0 |
| 24 | The Mind Amplifier: Software Composition in José Vicente Asuar’s COMDASUAR Federico Schumacher, Juan Parra, Rodrigo F. Cádiz · Organised Sound | 27 Mar 2026 | 0 |
| 25 | Mild neurological signs in bipolar disorder Maria B. Stoyanova, M. Pandova, P. Marinova-Djambazova · Bulgarian Portal for Open Science | 29 Nov 2019 | 0 |
| 26 | What dialogue is made of: an artistic exploration of Ligeti's 'Dialogo' using a custom segmentation algorithm Adrian Artacho Bueno, Leonhard Horstmeyer, Marie-Louise Wundling et al. · Zenodo (CERN European Organization for Nuclear Research) | 28 Aug 2025 | 0 |
| 27 | Experiential Knowledge and Improvisation: Variations on Movement, Motion, Emotion Anne Douglas, Kathleen Coessens | 23 Jun 2011 | 0 |
| 28 | Introduction: Paulo de Assis, Adam Łukawski | 26 Jun 2024 | 0 |
| 29 | From the Work Concept to Hypermusic Paulo de Assis | 26 Jun 2024 | 0 |
| 30 | Research Academy on “Munich” Mozart Piano Sonatas – Orpheus Institute – 3-13.07.2023: Report and Questionings about the Practice of Ornamenting and Improvising on Early Keyboards as a 21st Century Pianist Christophe Alvarez · Musicology Papers | 19 Apr 2023 | 0 |
| 31 | Grand témoignage : La recherche artistique, enjeux, pratiques et questionnements D Peter · HAL (Le Centre pour la Communication Scientifique Directe) | 2023 | 0 |
| 32 | Introduction Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 33 | Introduction Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 34 | 4.1 Pitched Bodies Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 35 | 2.4 Timbre, Noise, and Language Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 36 | 5.2 Composing a Gesture Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 37 | 1.3 Transmission and Reception Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 38 | 3.2 Taking Place Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 39 | 2.3 Given or Constructed? Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 40 | Introduction Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 41 | Introduction Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 42 | 3.4 Quasiperiodic Forms Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 43 | 4.2 Sounds without Bodies Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 44 | 2.1 Dissonant Material Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 45 | 3.3 Aperiodic Rhythms Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 46 | 4.4 Agent and Reproducibility Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 47 | 2.2 Sound and Composition Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 48 | 1.4 Elements, Letters, Notes Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 49 | 1.1 Elements and Matter Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
| 50 | Conclusions Tiziano Manca · Musik und Klangkultur | 2 Oct 2023 | 0 |
Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for an institution when any of its authors gave it as an affiliation; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.