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Most cited papers from Worcester Art Museum

What are the most cited papers from Worcester Art Museum?

The most cited paper from Worcester Art Museum is "Evaluation of the relief line and the contour line on Greek red-figure vases using reflectance transformation imaging and three-dimensional laser scanning confocal microscopy" (Paula Artal-Isbrand, Philip Klausmeyer, 2013), with 33 citations. Next come "PURSUING AUTOMATED CLASSIFICATION OF HISTORIC PHOTOGRAPHIC PAPERS FROM RAKING LIGHT IMAGES" (32) and "Vermeer: His Cartographic Sources" (24).

Showing 28 of 28 papers. Every paper is listed.

Most cited papers, sortable by citations and release date
#Paper
1 Evaluation of the relief line and the contour line on Greek red-figure vases using reflectance transformation imaging and three-dimensional laser scanning confocal microscopy Paula Artal-Isbrand, Philip Klausmeyer · Studies in Conservation 24 Sep 2013 33
2 PURSUING AUTOMATED CLASSIFICATION OF HISTORIC PHOTOGRAPHIC PAPERS FROM RAKING LIGHT IMAGES C.R. Johnson et al. · Journal of the American Institute for Conservation Open access Aug 2014 32
3 Vermeer: His Cartographic Sources James A. Welu · The Art Bulletin Dec 1975 24
4 The Noninvasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practice Nevin, Austin, Doherty, Tiarna · Smithsonian contributions to museum conservation Open access 9 Nov 2016 16
5 An Evaluation of Decorative Techniques on a Red-Figure Attic Vase from the Worcester Art Museum using Reflectance Transformation Imaging (RTI) and Confocal Microscopy with a Special Focus on the “Relief Line” Paula Artal-Isbrand, Philip Klausmeyer, Winifred Murray · MRS Proceedings 2011 15
6 Texture classification via area-scale analysis of raking light images Andrew G. Klein, Anh H., Christopher Andrew Brown et al. · 2014 48th Asilomar Conference on Signals, Systems and Computers Conference paper Nov 2014 10
7 Improving Art Museum Accessibility for Adults With Acquired Hearing Loss Susanna E. Meyer, Linda S. Larrivee, Ann Veneziano‐Korzec et al. · American Journal of Audiology 23 Jan 2017 8
8 Long-Term Effects of Cyclic Environmental Conditions on Paintings in Museum Exhibition by Laser Shearography Morteza Khaleghi, Ivo Dobrev, Ellery Harrington et al. · Conference proceedings of the Society for Experimental Mechanics Conference paper 8 Aug 2013 8
9 A re-united pair: The conservation, technical study, and ethical decisions involved in exhibiting two terracotta orante statues from Canosa Susan D. Costello, Philip Klausmeyer · Studies in Conservation 24 Oct 2013 6
10 The map in Vermeer's art of painting James A. Welu · Imago Mundi 1978 6
11 Investigation of thermomechanical effects of lighting conditions on canvas paintings by laser shearography Mohsen Kalantari Meybodi, Ivo Dobrev, Philip Klausmeyer et al. · Proceedings of SPIE, the International Society for Optical Engineering/Proceedings of SPIE Conference paper 13 Sep 2012 5
12 Technical examination of enamels from the Botkin collection Eva Helfenstein, Katherine Eremin, Richard Newman et al. · Studies in Conservation Aug 2012 5
13 So delicate yet so strong and versatile – the use of paper in objects conservation Paula Artal-Isbrand · Journal of the American Institute for Conservation 3 Jul 2018 4
14 A Dynamic Model of Museum and Academic Library Cooperation Karen Reilly, Jolene de Verges · College & Undergraduate Libraries 5 Oct 2001 3
15 FRBR and TMS: Applying a Conceptual Organizational Model for Cataloguing Photographic Archives Sarah L. Gillis 21 May 2015 3
16 Using Reflectance Transformation Imaging and 3D Laser Scanning Confocal Microscopy to Evaluate Relief and Contour Lines on Ancient Attic Greek Vases Paula Artal-Isbrand, Philip Klausmeyer · Microscopy Today Jul 2015 2
17 A preliminary report on the visual and technical analysis of artist’s varnish from two paintings by Kees Van Dongen Morwenna Blewett · AICCM Bulletin Dec 2006 1
18 Reflections in a Mirror: Ambrogio Lorenzetti's Depiction of the Trinity Norman E. Muller · The Art Bulletin Mar 1979 1
19 Study of an early Italian triptych David C. Goist, Ann K. Riggs, Janet W. Hessling · International Journal of Museum Management and Curatorship Jun 1988 0
20 From the Guest Editors Honee A. Hess, Maureen McConnell · Journal of Museum Education 1998 0
21 Digital Humanities and Image Metadata Kristen M. Schuster, Sarah L. Gillis · Elsevier eBooks Book chapter 2018 0
22 The Octonaire in Thomas Smith’s Self-Portrait Peter Auger · Huntington Library Quarterly Open access 2017 0
23 Opening Doors to Possibilities: The Worcester Art Museum's Scholarship Program Marcia Lagerwey-Commeret · Journal of Museum Education Mar 1992 0
24 Two Letters from Girodet to Flaxman Ada Shadmi Banks · The Art Bulletin Mar 1979 0
25 The Treatment of an Extensively Damaged Oil Painting on Canvas James Bernstein · Bulletin of the American Institute for Conservation Apr 1974 0
26 The materials and techniques of twentieth‐century reverse‐painted glass panels: An investigation of William Nicholson's Knoblock commission Morwenna Blewett · Journal of the Institute of Conservation 2004 0
27 Robert L. Herbert, Seurat's Drawings Daniel Catton Rich · Art Journal Jun 1965 0
28 High-Resolution Shape Measurements by Fringe Projection and Reflectance Transformation Imaging Chaoyang Ti, Philip Klausmeyer, Matthew Cushman et al. · Conference proceedings of the Society for Experimental Mechanics Conference paper 8 Aug 2013 0

Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for an institution when any of its authors gave it as an affiliation; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.