Science Explorer Back to mapMap
Discussion
Researcher · Columbia International University · United States

Andrew Sarris

Andrew Sarris publishes mostly in Economics and Econometrics, History and Literature and Literary Theory, on topics such as Cinema and Media Studies, Shakespeare, Adaptation, and Literary Criticism and Italian Fascism and Post-war Society.

OpenAlex
World rank
#1,833,239
of 7,710,434 ranked researchers
Rank in United States
#562,301
of 1,627,098
Works
47
Citations
554
Citations per work
11.8
h-index
10
i10-index 10Top 35% in Economics and Econometrics
Andrew Sarris

What does Andrew Sarris research?

Andrew Sarris's work is mostly in Economics, Econometrics and Finance (37%), Arts and Humanities (29%), Social Sciences (14%).

Social Sciences: 38 works · 80.3% of their workEconomics, Econometrics and Finance: 18 works · 37.4% of their workEconomics and Econometrics: 18 works · 37.4% of their workArts and Humanities: 13 works · 28.6% of their workHistory: 6 works · 12.1% of their workLiterature and Literary Theory: 5 works · 9.9% of their workVisual Arts and Performing Arts: 3 works · 6.6% of their workSocial Sciences: 7 works · 14.3% of their workSociology and Political Science: 4 works · 8.8% of their workPolitical Science and International Relations: 3 works · 5.5% of their workEverything else: 9 works · 19.7% of their workTHEIR WORKAndrew Sarris47works
Social Sciences80%

Their six largest subfields, inside their fields and domains; the grey slice is everything else they publish. The interactive view splits every one of their works down to single topics.

The fields and subfields, with their numbers
    1. Economics, Econometrics and Finance1837.4%
    2. Arts and Humanities1328.6%
    3. Social Sciences714.3%
  2. Everything else919.7%
  1. 1Economics and Econometrics37% of their works
  2. 2History12% of their works
  3. 3Literature and Literary Theory10% of their works
  4. 4Sociology and Political Science9% of their works
  5. 5Visual Arts and Performing Arts7% of their works
  6. 6Political Science and International Relations6% of their works

Research topics

Which keywords describe Andrew Sarris's research?

The keywords of their largest research topics: Box Office, Film Industry, Gender, Identity, Occupation, Adaptation, Cultural Studies and Fascism.

Size is their works in the topics tagged with each word, from their 8 largest topics. Each links to the topic it comes from most. The words come from the keyword list OpenAlex gives each topic, not from the text of the papers, so a word can appear that none of the papers uses.

All 20 words, with their numbers
  1. Box Office341 topic
  2. Film Industry341 topic
  3. Gender265 topics
  4. Identity102 topics
  5. Occupation92 topics
  6. Adaptation71 topic
  7. Cultural Studies72 topics
  8. Fascism71 topic
  9. Film71 topic
  10. Totalitarianism71 topic
  11. France51 topic
  12. History51 topic
  13. Nazi Propaganda41 topic
  14. Sexuality41 topic
  15. American Musical Theatre31 topic
  16. Melodrama31 topic
  17. Digital Images21 topic
  18. Musical Theory21 topic
  19. Musicology21 topic
  20. Photography21 topic

Where does Andrew Sarris work?

Andrew Sarris's main affiliation in the publication record is Columbia International University, United States.

How many publications and citations does Andrew Sarris have?

OpenAlex counts 47 works and 554 citations for Andrew Sarris, an h-index of 10, ranking #1,833,239 of 7,710,434 researchers worldwide on the quality score.

Ranked on field-normalised citation excellence (50%), output (30%) and citations (20%). Counts come from OpenAlex author records, which occasionally merge different people who share a name or split one person into several.

Papers, co-authors, who cited this work and researchers on the nearest topics have tabs of their own, above. Is this your page? Claim it with your ORCID iD, or request a correction or removal.

Discussion

Ask a question or share a note about Andrew Sarris. Keep it to the research: no personal attacks, advertising or links. Any reader can report a post, which collapses it for everyone until it is opened.