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Most cited papers in Art, Technology, and Culture

What are the most cited papers in Art, Technology, and Culture?

The most cited paper in Art, Technology, and Culture is "Materials against materiality" (Tim Ingold, 2007), with 1,348 citations. Next come "The textility of making" (534) and "Digital Fabrication and ‘Making’ in Education" (526).

Showing 50 of 102 papers. Every paper with more than 69 citations is listed.

Most cited papers, sortable by citations and release date
#Paper
1 Materials against materiality Tim Ingold · Archaeological Dialogues 4 Apr 2007 1,348
2 The textility of making Tim Ingold · Cambridge Journal of Economics 9 Jul 2009 534
3 Digital Fabrication and ‘Making’ in Education Paulo Blikstein · transcript Verlag eBooks Book chapter 31 Dec 2013 526
4 THROMBELASTOGRAPHY Susan V. Mallett, D. Cox · British Journal of Anaesthesia Open access Sep 1992 449
5 CHAPTER 1: WHAT IS BIOMASS Fang Huang · Materials and Energy/Materials and energy Book chapter 8 Jan 2014 388
6 Constructions and reconstructions of self in virtual reality: Playing in the MUDs Sherry Turkle · Mind Culture and Activity Jun 1994 370
7 ENUMERABLE SETS ARE DIOPHANTINE Ju. V. Matijasevič · CO-PUBLISHED WITH SINGAPORE UNIVERSITY PRESS eBooks Book chapter Aug 2003 362
8 New Pathways into Robotics: Strategies for Broadening Participation Natalie Rusk, Mitchel Resnick, Robbie Berg et al. · Journal of Science Education and Technology 15 Oct 2007 340
9 Top scientific visualization research problems Christopher R. Johnson · IEEE Computer Graphics and Applications Jul 2004 289
10 The virtual Haken conjecture (with an appendix by Ian Agol, Daniel Groves and Jason Manning) Ian Agol · Documenta Mathematica Open access 2013 286
11 Teaching Children to be Mathematicians Versus Teaching About Mathematics Seymour A. Papert · International Journal of Mathematical Education in Science and Technology Jul 1972 274
12 Computational composites Anna Vallgårda, Johan Redström Conference paper 29 Apr 2007 269
13 Cognitive Topology and Lexical Networks Claudia Brugman, George P. Lakoff · Elsevier eBooks Book chapter 1988 267
14 GAMEKEEPER'S THUMB Christopher S. Campbell · Journal of Bone and Joint Surgery - British Volume Feb 1955 261
15 The Faintest Passion Harry G. Frankfurt · Proceedings and Addresses of the American Philosophical Association Nov 1992 232
16 Arundo donax—Source of musical reeds and industrial cellulose Robert E. Perdue · Economic Botany Oct 1958 220
17 What is generative art? Margaret A. Boden, Ernest Alan Edmonds · Digital Creativity 13 May 2009 219
18 Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic Gerard Ben Assayag, Camilo Rueda, Mikael Laurson et al. · Computer Music Journal Sep 1999 213
19 The Sellar Region Albert L. Rhoton · Neurosurgery Oct 2002 207
20 Design thinking for digital fabrication in education Rachel Charlotte Smith, Ole Sejer Iversen, Mikkel Hjorth · International Journal of Child-Computer Interaction Open access Sep 2015 206
21 "MENSTRUAL TOXIN" M.R.V. Punjani · The Lancet Jul 1974 204
22 Processing: programming for the media arts Casey Reas, Ben N. Fry · AI & Society 29 May 2006 194
23 The reflective practitioner Sarah L. Moss, Ernest Edmonds Conference paperOpen access 8 Dec 2008 184
24 Cultural Techniques: Preliminary Remarks Geoffrey Winthrop‐Young · Theory Culture & Society 18 Aug 2013 182
25 Bringing Things Back to Life: Creative Entanglements in a World of Materials Tim Ingold 20 Jul 2010 178
26 The makers' movement and FabLabs in education Paulo Blikstein, Dennis Krannich Conference paper 24 Jun 2013 177
27 Analog Days: The Invention and Impact of the Moog Synthesizer Regina Lee Blaszczyk · Journal of Design History 2003 173
28 Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation Álvaro Mendes Barbosa · Leonardo Music Journal Open access Dec 2003 172
29 Artistic silhouettes J. D. Northrup, Lee Markosian Conference paperOpen access 5 Jun 2000 170
30 EMBEDDED TOENAILS William R. Murray · The Lancet Aug 1975 163
31 Comments on Goodman's Ways of Worldmaking Carl G. Hempel · Synthese Oct 1980 160
32 Principles of Possibility: Considerations for a 21st-Century Art & Culture Curriculum Olivia Gude · Art Education 2007 159
33 How an Instinct is Learned Jack P. Hailman · Scientific American Dec 1969 157
34 Towards an Ontology of Media Friedrich Kittler · Theory Culture & Society Mar 2009 156
35 HANDICAPPED FAMILIES M.J. Simpkiss, AnnS. Raikes, Jeremy J. Cogswell · The Lancet Sep 1975 149
36 Science Fiction Prototyping: Designing the Future with Science Fiction Brian David Johnson · Synthesis lectures on computer science 19 Apr 2011 144
37 A Topological Picturebook. Jeffrey R. Weeks, George K. Francis · American Mathematical Monthly Open access Dec 1988 139
38 Whither Physical Objects? Willard Van Orman Quine · Boston studies in the philosophy of science Book chapter 1976 138
39 Transition Design Provocation Terry Irwin, Gideon Kossoff, Cameron Tonkinwise · Design Philosophy Papers 2 Jan 2015 135
40 Polygons Have Ears Gary Hosler Meisters · American Mathematical Monthly Jun 1975 134
41 Heads and Tails Richard J. Goss · Elsevier eBooks Book chapter 1969 126
42 Computer-generated pen-and-ink illustration of trees Oliver Deußen, Thomas Strothotte Conference paperOpen access 2000 124
43 Scanning electron microscopy of Drosophila melanogaster embryogenesis F. Rudolf Turner, Anthony P. Mahowald · Developmental Biology 1979 122
44 What Can be Done with an Egg? Creativity, Material Objects, and the Theory of Affordances Vlad Petre Glăveanu · The Journal of Creative Behavior Sep 2012 121
45 EMBEDDED TOENAILS Allan Fowler · The Lancet Sep 1975 119
46 A Decade of Differential Display Peng Liang · BioTechniques Open access Aug 2002 117
47 Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. George H. Roeder, Michael Leja · Journal of American History Jun 1994 115
48 The studio as laboratory: Combining creative practice and digital technology research Ernest Alan Edmonds, Alastair Weakley, Linda Candy et al. · International Journal of Human-Computer Studies 3 Jun 2005 114
49 What Comes Next? George M. Whitesides · Lab on a Chip 11 Dec 2010 112
50 Works of Game: On the Aesthetics of Games and Art John T. Sharp 6 Mar 2015 111

Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for a field when OpenAlex files it under one of the field's topics; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.