Topic · Cinema and Media Studies
Most cited papers in Cinema and Media Studies
What are the most cited papers in Cinema and Media Studies?
The most cited paper in Cinema and Media Studies is "Do online reviews matter? — An empirical investigation of panel data" (Wenjing Duan, Bin Gu, Andrew B. Whinston, 2008), with 1,703 citations. Next come "Word of Mouth for Movies: Its Dynamics and Impact on Box Office Revenue" (1,620) and "Understanding Popular Culture" (1,361).
Showing 50 of 99 papers. Every paper with more than 184 citations is listed.
| # | Paper | ||
|---|---|---|---|
| 1 | Do online reviews matter? — An empirical investigation of panel data Wenjing Duan, Bin Gu, Andrew B. Whinston · Decision Support Systems | 11 Apr 2008 | 1,703 |
| 2 | Word of Mouth for Movies: Its Dynamics and Impact on Box Office Revenue Yong Liu · Journal of Marketing | 13 Jun 2006 | 1,620 |
| 3 | Understanding Popular Culture John Fiske | 22 Nov 2006 | 1,361 |
| 4 | Word of Mouth for Movies: Its Dynamics and Impact on Box Office Revenue Liu Yong · Journal of Marketing | Jul 2006 | 1,359 |
| 5 | The Origin of German Tragic Drama Don Callen, Walter W Benjamin · Journal of Aesthetics and Art Criticism | 1978 | 1,109 |
| 6 | Hypersexual Disorder: A Proposed Diagnosis for DSM-V Martin P. Kafka · Archives of Sexual Behavior | 23 Nov 2009 | 1,091 |
| 7 | The Image of Objectivity Lorraine Daston, Peter Galison · Representations | 1992 | 1,075 |
| 8 | Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality Irina O. Rajewsky · Intermédialités Histoire et théorie des arts des lettres et des techniques | 10 Aug 2011 | 939 |
| 9 | How Critical are Critical Reviews? The Box Office Effects of Film Critics, Star Power, and Budgets Suman Basuroy, Subimal Chatterjee, S. Abraham Ravid · Journal of Marketing | Oct 2003 | 925 |
| 10 | Enjoyment: At the Heart of Media Entertainment Peter Vorderer, Christoph Klimmt, Ute Ritterfeld · Communication Theory | Nov 2004 | 916 |
| 11 | Film Critics: Influencers or Predictors? Jehoshua Eliashberg, Steven M. Shugan · Journal of Marketing | Apr 1997 | 828 |
| 12 | Ephemera as Evidence: Introductory Notes to Queer Acts José Esteban Muñoz · Women & Performance a journal of feminist theory | 1996 | 766 |
| 13 | Nostalgia and Consumption Preferences: Some Emerging Patterns of Consumer Tastes Morris B. Holbrook · Journal of Consumer Research | Sep 1993 | 734 |
| 14 | The End of Framing as we Know it … and the Future of Media Effects Michael A. Cacciatore, Dietram A. Scheufele, Shanto Iyengar · Mass Communication & Society | 11 Aug 2015 | 708 |
| 15 | Appreciation as Audience Response: Exploring Entertainment Gratifications Beyond Hedonism Mary Beth Oliver, Anne Bartsch · Human Communication Research | 16 Dec 2009 | 651 |
| 16 | The online disinhibition effect John R. Suler · International Journal of Applied Psychoanalytic Studies | Jun 2005 | 648 |
| 17 | Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production Greta Hsu · Administrative Science Quarterly | Sep 2006 | 629 |
| 18 | The television will be revolutionized Barry A. T. Brown, Louise Barkhuus | 22 Apr 2006 | 589 |
| 19 | “THE THRESHOLD OF THE VISIBLE WORLD”: Lilya Kaganovsky · Indiana University Press eBooks | 21 Feb 2019 | 557 |
| 20 | The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions Jehoshua Eliashberg, Anita Elberse, Mark A.A.M. Leenders · Marketing Science | Nov 2006 | 554 |
| 21 | Understanding Video Games: The Essential Introduction Simon Egenfeldt‐Nielsen, Jonas Heide Smith, Susana Pajares Tosca | 15 Feb 2008 | 553 |
| 22 | A Conspiracy of Fishes, or, How We Learned to Stop Worrying About #GamerGate and Embrace Hegemonic Masculinity Shira Chess, Adrienne Shaw · Journal of Broadcasting & Electronic Media | 2 Jan 2015 | 532 |
| 23 | Theorizing the moving image. Noël Carroll | 1996 | 522 |
| 24 | Genre and game studies: Toward a critical approach to video game genres Thomas H. Apperley · Simulation & Gaming | 16 Feb 2006 | 514 |
| 25 | Reliability, Validity, and Psychometric Development of the Hypersexual Behavior Inventory in an Outpatient Sample of Men Rory C. Reid, Sheila Garos, Bruce N. Carpenter · Sexual Addiction & Compulsivity The Journal of Treatment and Prevention | 8 Mar 2011 | 467 |
| 26 | Heavenly bodies: Film stars and society Denise Farran · Women s Studies International Forum | 1988 | 458 |
| 27 | Harmonic broadcasting for video-on-demand service Li-Shen Juhn, Li‐Ming Tseng · IEEE Transactions on Broadcasting | 1997 | 451 |
| 28 | Do you identify as a gamer? Gender, race, sexuality, and gamer identity Adrienne Shaw · New Media & Society | 16 Jun 2011 | 447 |
| 29 | The Cinema of Attractions Reloaded Wanda Strauven · OAPEN (The OAPEN Foundation) | 2006 | 441 |
| 30 | Reality TV the work of being watched Mark Andrejevic | 2003 | 422 |
| 31 | Concepts of transnational cinema: towards a critical transnationalism in film studies Will Higbee, Song Hwee Lim · Transnational Cinemas | 2010 | 409 |
| 32 | Witnessing John Durham Peters · Media Culture & Society | Nov 2001 | 407 |
| 33 | There is No Magic Circle Mia Consalvo · Games and Culture | 20 Aug 2009 | 397 |
| 34 | Cinderella's Stepsisters: A Feminist Perspective on Anorexia Nervosa and Bulimia Marlene Boskind-Lodahl · Signs | Dec 1976 | 387 |
| 35 | The Power of Stars: Do Star Actors Drive the Success of Movies? Anita Elberse · Journal of Marketing | Oct 2007 | 380 |
| 36 | Film Theory and Criticism: Introductory Readings Timothy J. Lyons, Gerald Mast, M. H. Cohen · Journal of Aesthetics and Art Criticism | 1975 | 373 |
| 37 | Don't Hate the Player, Hate the Game: The Racialization of Labor in World of Warcraft Lisa Nakamura · Critical Studies in Media Communication | 28 Apr 2009 | 363 |
| 38 | Dynamic Effects among Movie Ratings, Movie Revenues, and Viewer Satisfaction Sangkil Moon, Paul K. Bergey, Dawn Iacobucci · Journal of Marketing | 7 Dec 2009 | 341 |
| 39 | The Mass Production of the Senses: Classical Cinema as Vernacular Modernism Miriam Bratu Hansen · Palgrave Macmillan UK eBooks | 2009 | 335 |
| 40 | Seasonality in the U.S. motion picture industry Liran Einav · The RAND Journal of Economics | Mar 2007 | 334 |
| 41 | Vice Versa: Bisexuality and the Eroticism of Everyday Life John Bury, Marjorie B. Garber · Tulsa Studies in Women s Literature | 1996 | 333 |
| 42 | Reality TV: Remaking Television Culture Victoria Lichterman · The Journal of Popular Culture | Oct 2009 | 332 |
| 43 | Predicting Movie Sales from Blogger Sentiment Gilad Mishne, Natalie Glance | 2006 | 325 |
| 44 | We are data: algorithms and the making of our digital selves Sophia Melanson · Information Communication & Society | 15 Dec 2017 | 323 |
| 45 | ‘If the rise of the TikTok dance and e-girl aesthetic has taught us anything, it’s that teenage girls rule the internet right now’: TikTok celebrity, girls and the Coronavirus crisis Melanie Kennedy · European Journal of Cultural Studies | 31 Jul 2020 | 315 |
| 46 | SENTIENT CITIES Ambient intelligence and the politics of urban space Mike Crang, Stephen Graham · Information Communication & Society | Dec 2007 | 312 |
| 47 | Back to the Future Wing‐Yee Cheung, Tim Wildschut, Constantine Sedikides et al. · Personality and Social Psychology Bulletin | 8 Aug 2013 | 311 |
| 48 | Making Meaning: Inference and Rhetoric in the Interpretation of Cinema Alexander Sesonske, David Bordwell · Journal of Aesthetics and Art Criticism | 1991 | 302 |
| 49 | Predicting box-office success of motion pictures with neural networks Ramesh Sharda, Dursun Delen · Expert Systems with Applications | 10 Aug 2005 | 299 |
| 50 | An Empirical Investigation of Signaling in the Motion Picture Industry Suman Basuroy, Kalpesh Kaushik Desai, Debabrata Talukdar · Journal of Marketing Research | 7 Apr 2006 | 297 |
Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for a field when OpenAlex files it under one of the field's topics; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.