Most cited papers in Historical Art and Architecture Studies
What are the most cited papers in Historical Art and Architecture Studies?
The most cited paper in Historical Art and Architecture Studies is "Worldly Goods: A New History of the Renaissance" (Marta Ajmar, 1997), with 315 citations. Next come "LITERACY AND CULTURE IN EARLY MODERN CASTILE" (254) and "Identidad cultural un concepto que evoluciona" (251).
Showing 50 of 99 papers. Every paper with more than 27 citations is listed.
| # | Paper | ||
|---|---|---|---|
| 1 | Worldly Goods: A New History of the Renaissance Marta Ajmar · Journal of Design History | 1997 | 315 |
| 2 | LITERACY AND CULTURE IN EARLY MODERN CASTILE Sara T. Nolle · Past & Present | 1989 | 254 |
| 3 | Identidad cultural un concepto que evoluciona L Olga Luc u EDa Molano · Opera | 5 Nov 2007 | 251 |
| 4 | The relationship between accounting and spatial practices in the factory Salvador Carmona, Mahmoud Ezzamel, Fernando Gutiérrez Hidalgo · Accounting Organizations and Society | Apr 2002 | 184 |
| 5 | Madrid and the Spanish Economy, 1560-1850 Charles J. Jago, David R. Ringrose · Hispanic American Historical Review | Nov 1984 | 170 |
| 6 | Aristocrats and Traders: Sevillian Society in the Sixteenth Century Michael R. Weisser · Hispanic American Historical Review | Feb 1973 | 166 |
| 7 | Structural Design in the Work of Gaudí Santiago Huerta · Architectural Science Review | Dec 2006 | 144 |
| 8 | THE MUSEUM: ITS CLASSICAL ETYMOLOGY AND RENAISSANCE GENEALOGY Paula Findlen · Journal of the History of Collections | 1989 | 136 |
| 9 | The Eighteenth-Century Revolution in Spain Arthur P. Whitaker · Hispanic American Historical Review | May 1959 | 113 |
| 10 | Hacienda and Market in Eighteenth-Century Mexico: The Rural Economy of the Guadalajara Region, 1675-1820. William B. Taylor, Eric Van Young · Hispanic American Historical Review | Nov 1982 | 111 |
| 11 | Francesco Sansovino and Italian Popular History 1560-1600 Paul F. Grendler · Studies in the Renaissance | 1969 | 82 |
| 12 | Carlo Maderno and Roman Architecture 1580-1630 D. B. Wyndham Lewis, Howard Hibbard · Art Journal | 1973 | 79 |
| 13 | The Guggenheim‐Bilbao Museum Effect: A Reply to María V. Gomez’‘Reflective Images: The Case of Urban Regeneration in Glasgow and Bilbao’ Beatríz Plaza · International Journal of Urban and Regional Research | Sep 1999 | 78 |
| 14 | The reconstruction of Lisbon following the earthquake of 1755: A study in despotic planning John Mullin · Planning Perspectives | Apr 1992 | 75 |
| 15 | Matter in the Material Renaissance Ulinka Rublack · Past & Present | 4 Apr 2013 | 73 |
| 16 | Trade in Artists’ Materials. Markets and Commerce in Europe to 1700. Ana Calvo Manuel · Ge-conservacion | 9 Dec 2011 | 73 |
| 17 | El patrimonio como contenido en la etapa de Primaria: del currículum a la formación de maestros Olaia Fontal Merillas, Alex Ibáñez-Etxebarría, Marta Martínez et al. · Revista Electrónica Interuniversitaria de Formación del Profesorado | 12 Apr 2017 | 71 |
| 18 | Everyday Objects: Medieval and Early Modern Material Culture and its Meanings Roman I. Shiyan · Journal of Folklore Research Reviews | Sep 2011 | 71 |
| 19 | Estrategias e instrumentos para la educación patrimonial en España Olaia Fontal Merillas, Álex Ibáñez Etxeberría · Educatio Siglo XXI | 25 Mar 2015 | 71 |
| 20 | Educación patrimonial: retrospectiva y prospectivas para la próxima década Olaia Fontal Merillas · Estudios pedagógicos | 2016 | 70 |
| 21 | UN BUEN AMOR PROPIO. ACEPTACIÓN CATÓLICA DE UNA SOCIEDAD COMERCIAL EN LA MONARQUÍA HISPÁNICA DEL SIGLO XVIII Julián Viejo Yharrassarry, José María Portillo Valdés · Espacio Tiempo y Forma Serie IV Historia Moderna | 13 Dec 2014 | 66 |
| 22 | Crown and Cortes in Castile, 1590–1665 I. A. A. Thompson · Parliaments Estates and Representation | Jun 1982 | 66 |
| 23 | Art and Architecture in France 1500-1700 Anthony Blunt, François Rouget · Renaissance and Reformation | Apr 1999 | 65 |
| 24 | La novela española del siglo XVIII: estado de la cuestión (1985-1995) Guillermo Carnero Arbat · Anales de Literatura Española | 31 Dec 1995 | 64 |
| 25 | The Baroque Arsenal, by Mary Kaldor Thomas L. McNaugher · Political Science Quarterly | 1982 | 59 |
| 26 | THE ART OF COLONIAL LATIN AMERICA Rodney Palmer · The Art Book | May 2006 | 59 |
| 27 | Universidad de los andes (1785 - 1984) R Albornoz Berti | 1985 | 57 |
| 28 | The Royal Danish Kunstkammer Bente Gundestrup · Museum International | Dec 1988 | 56 |
| 29 | Mexican Manuscript Painting of the Early Colonial Period, the Metropolitan Schools. Charles Bell Gibson, Donald Robertson · Hispanic American Historical Review | May 1960 | 52 |
| 30 | Maiolica in colonial Spanish America Florence C. Lister, Robert H. Lister · Historical Archaeology | 1974 | 51 |
| 31 | Galerías de «mujeres ilustres» o el sinuoso camino de la excepción a la norma cotidiana (ss. XV-XVIII) Mónica Bolufer Peruga · Hispania-revista Espanola De Historia | 30 Apr 2000 | 48 |
| 32 | Arquitectura Popular em Portugal Miguel Judas · estudoprévio revista do centro de estudos de arquitectura cidade e território da Universidade Autónoma de Lisboa | 2022 | 46 |
| 33 | (A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque Edward Dudley · Calíope | 2002 | 46 |
| 34 | Questions of performance practice in Philip III's chapel Luis Robledo · Early Music | May 1994 | 46 |
| 35 | Les débuts de l'architecture théâtrale en Sicile et en Italie méridionale (Ve-IIIe s.) Jean‐Charles Moretti · Topoi | 1993 | 46 |
| 36 | Un indio camino a los altares: santidad e influencia inquisitorial en el caso del «siervo de Dios» Nicolás de Ayllón Celes Alonso Espinoza Rúa · Histórica | 17 Oct 2012 | 45 |
| 37 | The Royal Tajo Opera Theatre of Lisbon: From architecture to acoustics Lamberto Tronchin, Antonella Bevilacqua · The Journal of the Acoustical Society of America | 2023 | 45 |
| 38 | La ciudad regular: Arquitectura, programas e instituciones en el Buenos Aires posrevolucionario, 1821-1835 Cecilia María Pascual · DOAJ (DOAJ: Directory of Open Access Journals) | Dec 2006 | 45 |
| 39 | Evolución del concepto y de la significación social del patrimonio cultural Josué Llull Peñalba · Hispana | 2005 | 45 |
| 40 | Ball court design dates back 3,400 years Warren D. Hill, Michael R. Blake, John E. Hughes Clark · Nature | Apr 1998 | 43 |
| 41 | Mediaeval Painters’ Materials and Techniques: The Montpellier Liber diversarum arcium Mark Clarke | 2011 | 42 |
| 42 | What Did the Renaissance Patron Buy? Creighton E. Gilbert · Renaissance Quarterly | Jul 1998 | 41 |
| 43 | John Buridan: Portrait of a Fourteenth-Century Arts Master Simo Knuuttila · Ars Disputandi | 2004 | 40 |
| 44 | La gestión territorial del patrimonio industrial en Castilla y León (España): fábricas y paisajes Paz Benito del Pozo, Basilio Calderón Calderón, Henar Pascual Ruiz-Valdepeñas · Investigaciones Geográficas Boletín del Instituto de Geografía | Aug 2016 | 40 |
| 45 | Town and Country in Pre-industrial Spain: Cuenca, 1550-1870 Gabriel Tortella · Hispanic American Historical Review | Aug 1991 | 40 |
| 46 | Early Woodcut Workshops Alison G. Stewart · Art Journal | Mar 1980 | 40 |
| 47 | Presencia y fortuna de los hombres de negocios genoveses durante la crisis hispana de 1640 Carmen Sanz Ayán · Hispania-revista Espanola De Historia | 30 Apr 2005 | 40 |
| 48 | Icon and Vision: Giovanni Bellini's Half-Length Madonnas Rona Goffen · The Art Bulletin | Dec 1975 | 40 |
| 49 | The repertory of the Spanish cathedral bands K. Kreitner · Early Music | May 2009 | 39 |
| 50 | Altered and Adorned: Using Renaissance Prints in Daily Life Suzanne Karr Schmidt, Kimberly J. Nichols, Katherine Acheson · Renaissance and Reformation | 19 Nov 2012 | 39 |
Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for a field when OpenAlex files it under one of the field's topics; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.