Most cited papers from Cineteca di Bologna
What are the most cited papers from Cineteca di Bologna?
The most cited paper from Cineteca di Bologna is "Art in the Hospital: Its Impact on the Feelings and Emotional State of Patients Admitted to an Internal Medicine Unit" (Franco Trevisani, Rachele Casadio, Francesca Romagnoli et al., 2010), with 21 citations. Next come "Un cas d’école. Renouveler l’histoire du cinéma comique français des premiers temps" (4) and "(Do Not) Overlook. Room 237 and the Dismemberment of The Shining" (3).
Showing 22 of 22 papers. Every paper is listed.
| # | Paper | ||
|---|---|---|---|
| 1 | Art in the Hospital: Its Impact on the Feelings and Emotional State of Patients Admitted to an Internal Medicine Unit Franco Trevisani, Rachele Casadio, Francesca Romagnoli et al. · The Journal of Alternative and Complementary Medicine | 24 Jul 2010 | 21 |
| 2 | Un cas d’école. Renouveler l’histoire du cinéma comique français des premiers temps Laurent Guido, Laurent Le Forestier · 1895 | 2010 | 4 |
| 3 | (Do Not) Overlook. Room 237 and the Dismemberment of The Shining Marco Lovisato · DOAJ (DOAJ: Directory of Open Access Journals) | 13 Nov 2017 | 3 |
| 4 | Bazin/Aristarco : une relation en montage alterné Delphine Wehrli · 1895 | 2012 | 2 |
| 5 | Cecilia Mangini and Lino Del Fra Collection, Cineteca di Bologna Michela Zegna · Journal of Italian Cinema and Media Studies | 16 Sep 2021 | 1 |
| 6 | Giovanni Calendoli Collection Michela Zegna · Journal of Italian Cinema and Media Studies | Jun 2020 | 1 |
| 7 | Memofilm Project: “Man's Memory. Cinema Against the Pathologies of Memory” Giancarlo Savorani, Elisa Pini, Lucio Tondi et al. · Journal of the American Geriatrics Society | May 2013 | 1 |
| 8 | Dante nel cinema Gianfranco Casadio, Antonio Franceschetti · Quaderni d italianistica | Apr 1997 | 1 |
| 9 | Safeguarding the Visual Memory of a Territory. An Inexhaustible Collective Heritage with which to Observe the Changing City Rosaria Gioia · The city project | 2026 | 0 |
| 10 | Poetiche della solitudine: da “Le Samouraï” a “Ghost Dog” Roberto Chiesi · DOAJ (DOAJ: Directory of Open Access Journals) | Dec 2021 | 0 |
| 11 | The costumes of an archaic dream: Pasolini, Danilo Donati and Oedipus the King (1967) Roberto Chiesi · Journal of Italian Cinema and Media Studies | 18 Apr 2024 | 0 |
| 12 | Scenographers, set and costume designers in the Alessandro Blasetti Archive Michela Zegna · Journal of Italian Cinema and Media Studies | 18 Apr 2024 | 0 |
| 13 | Il vampiro sublime. Da “Dracula” a due “Nosferatu” Roberto Chiesi · DOAJ (DOAJ: Directory of Open Access Journals) | Dec 2021 | 0 |
| 14 | Cineamatori militanti Michele Ronchi Stefanati · Recherches | 2020 | 0 |
| 15 | Un mondo dentro il mondo. Alexandr Sokurov e i musei: Arca rusa e francofonia Roberto Chiesi · Fonseca Journal of Communication | Dec 2019 | 0 |
| 16 | Da Venezia 2018 alla stagione successiva. Piccolo bilancio critico Roy Menarini, Alice Autelitano · DOAJ (DOAJ: Directory of Open Access Journals) | 26 Jun 2019 | 0 |
| 17 | Il cinema ritrovato Jean-Pierre Bleys, Marie Frappat, Jean Antoine Gili et al. · 1895 | 2012 | 0 |
| 18 | Break Up – L’uomo dei cinque palloni. 73. Mostra Internazionale d’Arte Cinematografica di Venezia Alice Autelitano, Roy Menarini · DOAJ (DOAJ: Directory of Open Access Journals) | 23 Apr 2017 | 0 |
| 19 | Storie, forme, racconti, tra frammento e continuità. 71. Mostra Internazionale d’Arte Cinematografica di Venezia Alice Autelitano · DOAJ (DOAJ: Directory of Open Access Journals) | 25 Jun 2017 | 0 |
| 20 | Restauración cinematográfica. Tierra de nadie Gian Luca Farinelli, Davide Pozzi · PH. Boletín del Instituto Andaluza del Patrimonio Histórico/PH/PH. Boletín del Instituto Andaluz del Patrimonio Histórico/Boletín informativo - Instituto Andaluz del Patrimonio Histórico | Dec 2005 | 0 |
| 21 | Drôle de boxe. Stratégies du rire dans le film comique français au début des années 1910 Frank Keßler · 1895 | 2010 | 0 |
| 22 | Léonce Perret, sous la direction de Bernard Bastide et Jean A. Gili Rémy Pithon · 1895 | 2004 | 0 |
Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for an institution when any of its authors gave it as an affiliation; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.