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Most cited papers from Rostov State Rakhmaninov Conservatory

Rostov State Rakhmaninov Conservatory

What are the most cited papers from Rostov State Rakhmaninov Conservatory?

The most cited paper from Rostov State Rakhmaninov Conservatory is "Paradoxes and enigmas of metamodern" (Alexandra V. Krylova, 2022), with 4 citations. Next come "Laocoon and Aphrodite "Rolled Into One", or Life and Death of Academic Music Studies in the Electronic Era" (3) and "Genre systems of musical folklore: construction approaches" (3).

Showing 50 of 82 papers. Every paper with more than 0 citations is listed.

Most cited papers, sortable by citations and release date
#Paper
1 Paradoxes and enigmas of metamodern Alexandra V. Krylova · South-Russian musical anthology 2022 4
2 Laocoon and Aphrodite "Rolled Into One", or Life and Death of Academic Music Studies in the Electronic Era Tatiana V. FRANTOVA · South-Russian musical anthology 2021 3
3 Genre systems of musical folklore: construction approaches Tatyana S. Rudichenko · South-Russian musical anthology 2021 3
4 Musical Scholarship of the “Golden Age” of Qing Dynasty Based on 17th and 18th Centuries Books and Treatises Rachmaninov Rostov State Conservatoire, Xiaojiao Fu · Russian musicology. Open access 2024 2
5 Modern rock music and the 20th century music avant-garde Anastasiya Yu. Slobodchikova · South-Russian musical anthology 2022 2
6 TIME AND SPACE IN THE OPERA "DOCTOR ATOMIC" BY JOHN ADAMS: TO THE PROBLEM OF PERFORMATIVITY Alexandra V. Shornikova · South-Russian musical anthology 2021 2
7 Mythological Models and Ritual Forms in Contemporary Musical Theater Performance Rostov State S. V. Rachmaninoff Conservatory, Elena V. Kiseyeva, Vera N. Dyomina et al. · Music Scholarship / Problemy Muzykal noj Nauki Open access Dec 2020 2
8 Cornett (zinc) and criteria of pitch structure in the 16th–18th centuries V. Leonov, I. Palkina · South-Russian musical anthology Open access 2026 1
9 Grigori Valliano: materials for a biography. An artistic image in appraisals of contemporaries. Article five A. SELITSKY · South-Russian musical anthology Open access 2025 1
10 The Programmatic Character of Music as a Marker of the National Specificity of the Piano Concerto Genre in Guo Zurong’s Music Rostov State S. V. Rachmaninoff Conservatoire, Xiwen Cui · Russian musicology. Open access 2025 1
11 B. YAVORSKY, J. S. BACH AND MASS MUSIC S. Rachmaninov Rostov State Conservatory, А. TSUKER · South-Russian musical anthology Open access 2023 1
12 MATTHEW LOCKE.“MUSIC FOR HIS MAJESTY'S SACKBUTS AND CORNETTS” (1661) Meng Juguang · Scientific and analytical journal Burganov House The space of culture Open access 10 Feb 2024 1
13 Catholic chants by Nikolai Karetnikov: the history of creation, form, stylistics Alexander Ya. Selitsky · South-Russian musical anthology 2022 1
14 Classical crossover album as a creative laboratory: on the way to forming the individual appearance of a modern rock music Anastasiya Yu. Slobodchikova · South-Russian musical anthology 2022 1
15 Specifics of sound space organization in P. Huyghe's projects Vera N. Demina, Elena V. Kiseeva · South-Russian musical anthology 2022 1
16 Trudnosti obucheniia spetsial'noi leksike studentov-muzykantov, izuchaiushchikh nemetskii iazyk Vladimir Evgenevich Tiurikov · Interactive science Open access 28 Apr 2022 1
17 MASS MUSIC AND MUSICAL CRITIQUE А.М. Цукер · South-Russian musical anthology 2021 1
18 Comparative characteristics of the process of teaching (training) instrumentalists-performers at all levels of higher education in France and Russia L.V. Varavina · Общество социология психология педагогика Open access 2021 1
19 Facets of interaction between the Ministry of National Education and the Ministry of Culture of France in the musical and educational space Lyubov Aleksandrovna Buryakova, Alexey G. Buryakov, Rachmaninov Rostov State Conservatory · Perspectives of science and education Open access 31 Dec 2021 1
20 Fantasies by A. Chernov: to the problem of genre interactions N. Sycheva · South-Russian musical anthology 2021 1
21 Glinka - Mussorgsky: the harmony and crisis of the Russian historical state-of-the-art Natalya V. Beketova · South-Russian musical anthology 2021 1
22 Musical and Theoretical Education in the Conservatoire de Paris Lyubov Aleksandrovna Buryakova, Irina Prokopyevna Dabaeva, Rostov State Rachmaninoff Conservatory · Общество социология психология педагогика Open access 25 Dec 2020 1
23 Art in the Process of Integrating the Don Host to the Russian State Tatyana S. Rudichenko · Vestnik Volgogradskogo gosudarstvennogo universiteta Serija 4 Istorija Regionovedenie Mezhdunarodnye otnoshenija Open access Sep 2019 1
24 Traditional Musical Culture in the Contemporary World Tatiana S. Rudichenko · Music Scholarship / Problemy Muzykal noj Nauki 7 Nov 2013 1
25 Reflection of the title and semantics of a work in its texture (on example of the First Piano Etude “Movements of Qi” by M. Fuksman) M. Fuksman, S. BUGAYAN · South-Russian musical anthology Open access 2026 0
26 Sonata-Caprice “Herodiade” by G. Zaitsev for the domra prima: in search of new expressive resources of the instrument V. Laptev, O. Lapteva · South-Russian musical anthology Open access 2026 0
27 Aesthetics of academic dance: from grace to grotesque L. Mirskaya, V. Pigulevskiy · South-Russian musical anthology Open access 2026 0
28 A conceptual approach to research children’s piano music Chuxuan Qin · South-Russian musical anthology Open access 2026 0
29 Diminutions and cadences (from the history of decorations in music) V. Leonov, I. Palkina · South-Russian musical anthology Open access 2026 0
30 The features of working with the genre in Kaija Saariaho’s choral cycle Reconnaissance E. Korotkiyeva · South-Russian musical anthology Open access 2026 0
31 Song lyrics of Nüshu A. Krylova · South-Russian musical anthology Open access 2026 0
32 Practices of “sonic violence” in the Middle Ages and the early modern period Vladimir Evgenyevich Turikov · Pan-Art Open access 5 Aug 2026 0
33 Composers of the past in dialogue with contemporary culture Alexandra V. Krylova · Contemporary Musicology Open access 2026 0
34 IMPROVISATION IN THE EUROPEAN MUSIC OF THE 16th–17th CENTURIES V. KOVALENKO, A. KOLOTIENKO · South-Russian musical anthology Open access 2024 0
35 Document as reality and as artifact (on the problem of documentary practices in music) A. Kolokolnikova · South-Russian musical anthology Open access 2026 0
36 A voice in the space of culture L. Mirskaya, V. Pigulevskiy · South-Russian musical anthology Open access 2026 0
37 One-movement sonata in the oeuvre of N. Kapustin: compositional and dramaturgical aspects Kaiting Mo · Pan-Art Open access 6 May 2026 0
38 On the Significance of the Composer’s Comments in the Scores of Guo Zurong’s Piano Concertos (On the Example of the Sixth Piano Concerto Ode to the Plum Blossom) Cui Xiwen · Russian musicology. Open access 2026 0
39 The Role of Mentality in Understanding Musical-Theoretical Definitions (On the Example of Timbre and Texture Analysis in the Works of Chinese Musicologists) Cui Xiwen, Alexandra V. Krylova · Russian musicology. Open access 2026 0
40 Fugue and improvisation: on the problem of the dialogue between academic and jazz traditions Vsevolod Stanislavovich Chuvilkin · Человек и культура Open access Feb 2026 0
41 HISTORICAL ROOTS OF OPEN-AIR MUSIC IN THE CHINESE CULTURAL TRADITION Runze Jia · Scientific and analytical journal Burganov House The space of culture Open access 12 Feb 2026 0
42 ADAPTATION OF FOLK MELODIES AS A METHOD OF WORKING WITH THEMATIC MATERIAL IN THE PIANO CONCERTOS OF GUO ZUJUN Siwen Cui · Scientific and analytical journal Burganov House The space of culture Open access 12 Feb 2026 0
43 CREATIVE WORK WITH INFORMATION AND COMMUNICATION TECHNOLOGIES IN THE THEORETICAL DISCIPLINES OF A MUSIC UNIVERSITY S.V. Rachmaninov Rostov State Conservatory, Galina R. Taraeva · Journal of Musical Science Open access 2025 0
44 Implementing of the hagiographic tradition in the artistic system of the cantata “Sergius of Radonezh” by I. Vorobyov E. Petondi, E. Lobzakova · South-Russian musical anthology Open access 2025 0
45 HARMONIC SOUNDS IN THE PERFORMING PRACTICE OF WOODWIND INSTRUMENTS (FLUTE AS AN EXAMPLE) V. LEONOV, I. PALKINA · South-Russian musical anthology Open access 2024 0
46 Reflections of “Children’s World” in the piano music by A. Lyadov Qin Chuxuan, E. ANDRUSHCHENKO · South-Russian musical anthology Open access 2025 0
47 The vocal-stage paradigm of the Silver Age in S. Volkonsky’s memoirs “Laurels” N. Meshcheryakova · South-Russian musical anthology Open access 2025 0
48 I. SOLLERTINSKY – CRITIC AND ESSAYIST – ABOUT I. STRAVINSKY’S MUSICAL THEATRE WORKS OF THE 1910–1920s E. ANDRUSHCHENKO, K. ZHABINSKY · South-Russian musical anthology Open access 2024 0
49 Authenticity in the musical performing art (realities of the past and present) Vladislav A. Leonov, Iryna Palkina · South-Russian musical anthology Open access 2025 0
50 D. Dragonetti’s creative activities and forming of chamber ensemble duet repertoire for double-bass in the first half of the 19th century Xiaoxuan Li, Е Андрущенко · South-Russian musical anthology Open access 2025 0

Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for an institution when any of its authors gave it as an affiliation; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.