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Most cited papers in Artistic and Creative Research

What are the most cited papers in Artistic and Creative Research?

The most cited paper in Artistic and Creative Research is "Artificial intelligence in the creative industries: a review" (Nantheera Anantrasirichai, David Bull, 2021), with 735 citations. Next come "Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production" (629) and "Aesthetics and its Discontents" (541).

Showing 50 of 100 papers. Every paper with more than 80 citations is listed.

Most cited papers, sortable by citations and release date
#Paper
1 Artificial intelligence in the creative industries: a review Nantheera Anantrasirichai, David Bull · Artificial Intelligence Review Open access Jul 2021 735
2 Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production Greta Hsu · Administrative Science Quarterly Open access Sep 2006 629
3 Aesthetics and its Discontents Connell Vaughan · International Journal of Philosophical Studies Dec 2010 541
4 That Rare Feeling: Re-presenting Research Through Poetic Transcription Corrine Glesne · Qualitative Inquiry Jun 1997 530
5 The Composing Processes of Unskilled College Writers Sondra Perl · Research in the Teaching of English Dec 1979 507
6 The Coming of Age for Qualitative Research: Embracing the Diversity of Qualitative Methods Pratima Bansal, Kevin G. Corley · Academy of Management Journal Apr 2011 481
7 Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental cultural policies and social impact studies in the UK Eleonora Belfiore · International Journal of Cultural Policy 2002 428
8 Cultural Policy and Urban Regeneration in Western European Cities: Lessons from Experience, Prospects for the Future Beatriz García · Local Economy The Journal of the Local Economy Policy Unit Nov 2004 424
9 Understanding Arts-Based Methods in Managerial Development Steven S. Taylor, Donna Ladkin · Academy of Management Learning and Education Mar 2009 404
10 Helping Doctoral Students Write: Pedagogies for supervision Barbara Kamler, Pat Thomson Open access 17 Sep 2006 398
11 Four models of the creative industries Jason Potts, Stuart Cunningham · International Journal of Cultural Policy Aug 2008 348
12 The conditions of creativity. Beth A. Hennessey, Teresa M. Amabile May 1988 337
13 Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line Linda Candy, Ernest Edmonds · Leonardo Open access 20 Jun 2017 315
14 Constructing an artistic identity Alison L. Bain · Work Employment and Society Mar 2005 287
15 RETHINKING THE SOCIAL IMPACTS OF THE ARTS Eleonora Belfiore, Oliver Bennett · International Journal of Cultural Policy May 2007 276
16 Innovation overview and future challenges Brian S. Cumming · European Journal of Innovation Management Apr 1998 263
17 Regimes of Posttruth, Postpolitics, and Attention Economies Jayson Harsin · Communication Culture and Critique 24 Feb 2015 262
18 Guiding the Use of Grounded Theory in Doctoral Studies – An Example from the Australian Film Industry Michael Jones, Irit Alony · International journal of doctoral studies Open access 2011 248
19 The Craft, Practice, and Possibility of Poetry in Educational Research Melisa Cahnmann‐Taylor · Educational Researcher Apr 2003 239
20 Practice? It’s a Matter of Taste! Silvia Gherardi · Management Learning 21 Oct 2009 238
21 Research-Creation: Intervention, Analysis and “Family Resemblances” Owen Chapman · Canadian Journal of Communication 15 Apr 2012 230
22 Hermeneutics and Critical Hermeneutics: Exploring Possibilities within the Art of Interpretation Elizabeth Anne Kinsella · Forum: Qualitative Social Research (Freie Universität Berlin) Open access Jun 2008 216
23 Disciplinary voices Ken Hyland · English Text Construction 7 Mar 2008 206
24 A Description of the Composing Processes of College Freshman Writers Sharon Pianko · Research in the Teaching of English Feb 1979 193
25 From Craft to Art Edward R. Kealy · Work and Occupations Feb 1979 190
26 Creative Practice as Research: Discourse on Methodology R. Lyle Skains · Media Practice and Education Open access 2 Jan 2018 187
27 Living Bodies of Thought Stacy Holman Jones · Qualitative Inquiry 3 Mar 2016 185
28 Knowing Through Making: The Role of the Artefact in Practice-led Research Maarit Mäkelä · Knowledge, technology & policy/Knowledge in society/Knowledge, technology, & policy 10 Sep 2007 177
29 A Journal About Journal Writing as a Qualitative Research Technique: History, Issues, and Reflections Valerie J. Janesick · Qualitative Inquiry Dec 1999 172
30 Research Acts in Art Practice Graeme Sullivan · Studies in Art Education Oct 2006 169
31 ‘Impact’, ‘value’ and ‘bad economics’: Making sense of the problem of value in the arts and humanities Eleonora Belfiore · Arts and Humanities in Higher Education Open access 22 Apr 2014 168
32 Technology- and Product-Oriented Movements: Approximating Social Movement Studies and Science and Technology Studies David J. Hess · Science Technology & Human Values Oct 2005 166
33 Scissors and Glue:: Punk Fanzines and the Creation of a DIY Aesthetic Thomas J Triggs · Journal of Design History 2006 162
34 The view from out West: embeddedness, inter-personal relations and the development of an indigenous film industry in Vancouver Neil M. Coe · Geoforum Nov 2000 157
35 Urban cultural policy and creative city making Carl Grodach · Cities 7 Jun 2017 156
36 Make-Believe: Parafiction and Plausibility Carrie Lambert-Beatty · October Open access Aug 2009 148
37 Creative industries: a new direction? Justin O’Connor · International Journal of Cultural Policy Nov 2009 143
38 A performative paradigm for post-qualitative inquiry Tone Pernille Østern, Sofia Jusslin, Kristian Nødtvedt Knudsen et al. · Qualitative Research Open access 7 Jul 2021 141
39 Why a paradigm shift of ‘more than human ontologies’ is needed: putting to work poststructural and posthuman theories in writers’ studio Candace R. Kuby · International Journal of Qualitative Studies in Education 13 Jun 2017 141
40 Concern With Craft Sandra L. Faulkner · Qualitative Inquiry 21 Feb 2007 139
41 The Suddenness of Insight Janet E. Davidson · The MIT Press eBooks Book chapter 7 Nov 1994 138
42 Literature and language teaching 1986–2006: a review Ronald Carter · International Journal of Applied Linguistics Mar 2007 137
43 Writing in the company of other women: exceeding the boundaries Barbara M Grant · Studies in Higher Education 27 Jun 2006 135
44 The Art of Building Small George M. Whitesides, John Christopher Love · Scientific American Sep 2001 135
45 The Paradox of Writing in Doctoral Education: Student Experiences Doreen Stärke-Meyerring Book chapter 2011 135
46 ‘Submission’ to the rule of excellence: Ordinary affect and precarious resistance in the labor of organization and management studies Karen Lee Ashcraft · Organization 2017 134
47 Crafting participation: designing ecologies, configuring experience Christian Heath, Paul Luff, Dirk vom Lehn et al. · Visual Communication Feb 2002 133
48 Skirting a Pleated Text: De-Disciplining an Academic Life Laurel Walum Richardson · Qualitative Inquiry Sep 1997 133
49 Pieced Together: Collage as an Artist's Method for Interdisciplinary Research Kathleen Vaughan · International Journal of Qualitative Methods Open access Mar 2005 132
50 Self-help reading as a thin culture Paul Lichterman · Media Culture & Society Jul 1992 128

Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for a field when OpenAlex files it under one of the field's topics; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.