Artistic and Creative Research
Artistic and Creative Research is a research topic within Visual Arts and Performing Arts. Science Explorer counts 7.3k research works in it since 1950. 10.2% of them reached the world's top 10% most cited for their field and year.
This cluster of papers encompasses an interdisciplinary exploration of creative research, focusing on practice-based research in arts, writing, and design. It delves into the pedagogical aspects of creative writing, the role of screenwriting as a mode of research, and the integration of art and design with academic legitimacy. The cluster also addresses the experiential knowledge derived from artistic practice and the cultural implications of creative research.
- Creative Writing
- Practice-Based Research
- Artistic Practice
- Screenwriting
- Pedagogy
- Poetry
- Experiential Knowledge
- Art and Design
- Academic Legitimacy
- Cultural Studies
- Research works
- 7.3k fractional, since 1950
- In the world top 10%
- 744 per year above
- Top-10% rate
- 10.2% share of its works in the world top 10%
- Growth, 2018-21 → 2022-25
- +14% the tick is no change
- Largest producer
United States
30% of the 10 largest, 2022-now
Which countries lead Artistic and Creative Research research?
By volume, the United States and the United Kingdom publish the most (416 and 284 works in 2022-now).
By volume, 2022-now
- 1
United States 416 works
- 2
United Kingdom 284 works
- 3
Australia 142 works
- 4
China 119 works
- 5
Canada 100 works
- 6
Indonesia 77 works
- 7
Spain 64 works
- 8
Germany 64 works
- 9
France 60 works
- 10
Brazil 55 works
How concentrated that is
The same countries as shares of everything the list above accounts for. A node where two countries do two thirds of the work and one spread evenly across twelve read alike as a ranking and not at all alike here.
Shares of the rows listed above, not of the whole node.
Which institutions lead Artistic and Creative Research research?
By volume in 2022-now, Auckland University of Technology publishes the most Artistic and Creative Research research, followed by Film Independent and The University of Melbourne.
By volume, 2022-now
- 1
Auckland University of Technology
New Zealand 18 works
- 2
Film Independent
United States 15 works
- 3
The University of Melbourne
Australia 14 works
- 4
Centre National de la Recherche Scientifique
France 13 works
- 5
University of Edinburgh
United Kingdom 10 works
- 6
University of Toronto
Canada 9 works
- 7
Griffith University
Australia 9 works
- 8
RMIT University
Australia 9 works
- 9
Deakin University
Australia 8 works
- 10
University of Cambridge
United Kingdom 8 works
Who are the leading researchers in Artistic and Creative Research?
The most-cited researchers publishing on Artistic and Creative Research include Pierre Bourdıeu, Damià Barceló and Norman K. Denzin.
- 1
Pierre Bourdıeu
France 268k citations
- 2
Damià Barceló
Spain 132k citations
- 3
Norman K. Denzin
United States 130k citations
Ranked by citations received across their whole record, among researchers with at least three works on this topic.
Where is Artistic and Creative Research research done?
The largest centres of Artistic and Creative Research research in 2022-now are London (United Kingdom), Melbourne (Australia), New York (United States) and Sydney (Australia). Among places with at least 20 works in it, it is an unusually large share of all research in Auckland.
Largest cities, 2022-now
- 1
London
United Kingdom 65 works
- 2
Melbourne
Australia 37 works
- 3
New York
United States 28 works
- 4
Sydney
Australia 26 works
- 5
Paris
France 24 works
- 6
Auckland
New Zealand 23 works
- 7
Toronto
Canada 22 works
- 8
Los Angeles
United States 21 works
- 9
Edinburgh
United Kingdom 20 works
- 10
Dublin
Ireland 17 works
Where it is the local speciality
- AucklandNZ · 22.8 works12×
Location quotient: how much more of its research is in Artistic and Creative Research than the world average.
Where is the best place to study Artistic and Creative Research?
Among universities, judged by research, Auckland University of Technology, RMIT University and University of Toronto score highest, combining excellence, specialisation, size, growth and international reach. Research strength is one signal when choosing where to study; it does not measure teaching.
One dot per university in the first ten of the table below, at the default weights. The upper left is the interesting corner: small places doing unusually strong work.
| # | University | Score | Top 10% | Specialisation | Works | Growth |
|---|---|---|---|---|---|---|
| 1 | Auckland University of Technology |
86.9 | 19.4% | 53.6× | 18 | +88.5% |
| 2 | RMIT University |
61.9 | 14.9% | 11.9× | 8 | -51.6% |
| 3 | University of Toronto |
45.5 | 10.6% | 2.3× | 9 | +54.6% |
| 4 | Griffith University |
35.4 | 10.7% | 10.9× | 9 | +89.4% |
| 5 | The University of Melbourne |
34.3 | 8.4% | 6.6× | 14 | -19.2% |
| 6 | Deakin University |
32.6 | 12.2% | 9.7× | 8 | -19.3% |
| 7 | University of Edinburgh |
20.5 | 7.3% | 6.4× | 10 | -11.3% |
Universities only. The score blends excellence (40%), size (30%), specialisation (10%), growth (10%), international reach (10%), 2022-now; growth compares 2018-21 with 2022-25 and counts up to +20%, since a jump from a small base is mostly noise.
Every institution in Artistic and Creative Research, country by countryIs Artistic and Creative Research research growing?
Output in 2022-2025 was 14% higher than in 2018-2021, peaking in 2025. The fastest-growing topics are Artistic and Creative Research.
The same series as a ribbon: one cell per year, darker for more. The line above answers how much; this answers when.
Its share of all research
Growing output can still be a shrinking share: all of science grows. This is Artistic and Creative Research as a percentage of every work published that year, 0.0062% in 2024.
Fractional works of Artistic and Creative Research over all fractional works that year. How the balance of science has shifted.
How much of it reaches the world top 10%
Year by year.
Of each year's works in it, the share that reached the world's 10% most cited for their field and year. A field is the world for its own topics, so there is no other line to hold it against.
Which topics inside it are moving
Growth and decline on one axis around a shared zero. Two lists side by side hide the thing that matters: whether the growth dwarfs the decline, or the other way round.
Discussion
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