Topic · Sound Studies and Aurality
Most cited papers in Sound Studies and Aurality
What are the most cited papers in Sound Studies and Aurality?
The most cited paper in Sound Studies and Aurality is "Proceedings of the 26th annual conference of the cognitive science society" (Kristien Dieussaert, Marilyn Ford, Leon Horsten, 2004), with 845 citations. Next come "Linking soundscape composition and acoustic ecology" (250) and "Sounds of the city: the soundscape of early modern European towns" (232).
Showing 50 of 98 papers. Every paper with more than 12 citations is listed.
| # | Paper | ||
|---|---|---|---|
| 1 | Proceedings of the 26th annual conference of the cognitive science society Kristien Dieussaert, Marilyn Ford, Leon Horsten | 2004 | 845 |
| 2 | Linking soundscape composition and acoustic ecology Hildegard Westerkamp · Organised Sound | Apr 2002 | 250 |
| 3 | Sounds of the city: the soundscape of early modern European towns David Garrioch · Urban History | May 2003 | 232 |
| 4 | The Limbic System Conception and Its Historical Evolution Marcelo Ricardo Rosa Roxo, Paulo Roberto Franceschini, Carlos Zúbaran et al. · The Scientific World JOURNAL | 2011 | 161 |
| 5 | Do Voices Matter? Vocality, Materiality, Gender Performativity Annette Schlichter · Body & Society | Mar 2011 | 151 |
| 6 | Radio geopolitics: broadcasting, listening and the struggle for acoustic spaces Alasdair Pinkerton, Klaus J. Dodds · Progress in Human Geography | 2 Sep 2008 | 136 |
| 7 | The Opacity Project M. J. Seaton · AIP conference proceedings | 1995 | 128 |
| 8 | “Speaking Shadows”: A History of the Voice in the Transition from Silent to Sound Film in the United States Jessica Taylor · Journal of Linguistic Anthropology | Jun 2009 | 126 |
| 9 | Review Article: Review Article Paulette D. Kilmer · Journalism | 18 May 2010 | 93 |
| 10 | Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics Ian Reyes · Journal of Popular Music Studies | Jun 2013 | 88 |
| 11 | Sounds Like City Sophie Arkette · Theory Culture & Society | Feb 2004 | 87 |
| 12 | Messages of the Body John P. Spiegel · Leonardo | 1977 | 83 |
| 13 | The Human Voice Robert Thayer Sataloff · Scientific American | Dec 1992 | 82 |
| 14 | Transnational circulation and digital fatigue in Ghana's Azonto dance craze Jesse Weaver Shipley · American Ethnologist | May 2013 | 79 |
| 15 | The Bird’s Head as Sprachbund Ger P. Reesink | 1998 | 77 |
| 16 | Preliminary Communications BrendanT. Hale · The Lancet | Aug 1961 | 70 |
| 17 | Educating Beyond Cultural Diversity: Redrawing the Boundaries of a Democratic Plurality Sharon Todd · Studies in Philosophy and Education | 8 Dec 2010 | 70 |
| 18 | Posthumane Stimm-Körper und die Produktion von Geschlecht Julia Ostwald | 2020 | 67 |
| 19 | The remembering self Ulric Neisser, Robyn Fıvush · Cambridge University Press eBooks | 28 Oct 1994 | 67 |
| 20 | Silence, Music, Silent Music Emma Hornby · Ashgate Publishing Ltd. | 2007 | 63 |
| 21 | Potential cognitive risks of generative transformer-based AI chatbots on higher order executive functions. Umberto León-Domínguez · Neuropsychology | Feb 2024 | 60 |
| 22 | Notes on Technic Marilyn L. Zimny, Michele St. Onge, Michael Schütte · Stain Technology | 1985 | 54 |
| 23 | Information Processing Piero De Giacomo, Luisa Mich, Carlos Santamaría et al. | 20 Oct 2011 | 51 |
| 24 | A From a Formalized Parallel Action Language to its Efficient Code Generation Inti Gonzalez-Herrera, Johann Bourcier, Walter Rudametkin et al. · HAL (Le Centre pour la Communication Scientifique Directe) | 17 Jun 2011 | 49 |
| 25 | Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works Caterina Moruzzi · Journal of Aesthetics and Art Criticism | Jun 2018 | 49 |
| 26 | Gifts And Simony Timothy Reuter | 2001 | 48 |
| 27 | Sonic warfare: sound, affect, and the ecology of fear Ivan Mouraviev · Sound Studies | 6 Jul 2021 | 48 |
| 28 | VII.—THOUGHTS W. J. GINNANE · Mind | 1960 | 47 |
| 29 | Sound-based Brutalism: An emergent aesthetic Mo H. Zareei, Dugal McKinnon, Dale A. Carnegie et al. · Organised Sound | 3 Mar 2016 | 46 |
| 30 | ELECTROENCEPHALOGRAPHY W. T. LIBERSON · American Journal of Psychiatry | 1964 | 42 |
| 31 | The significance of Silence Simon Gaunt · Paragraph | Jul 1990 | 40 |
| 32 | Preliminary Communications Reinhold Benesch, Quentin Howieson Gibson, Ruth E. Benesch · Journal of Biological Chemistry | May 1964 | 39 |
| 33 | Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter William E. Brandt · Music Educators Journal | May 1973 | 39 |
| 34 | Speaking Immersion Roy Lyster · Canadian Modern Language Review/ La Revue canadienne des langues vivantes | May 1987 | 38 |
| 35 | In the Realm of the Senses: An Introduction Martin Jay · The American Historical Review | Apr 2011 | 38 |
| 36 | Using Plug-Avatars “hhh” Technology Education as Service-Oriented Virtual Learning Environment in Sliding Mode Vardan Surenovich Mkrttchian, M. Yu. Kataev, Wu‐Yuin Hwang et al. · Advances in mobile and distance learning book series | 2014 | 37 |
| 37 | Ockham's Rejection of Ampliation Graham Priest, Stephen Read · Mind | 1981 | 37 |
| 38 | ASMR Mania, Trigger-Chasing, and the Anxiety of Digital Repletion Hugh S. Manon | 2018 | 34 |
| 39 | The Sarah Siddons Audio Files: Romanticism and the Lost Voice Judith Pascoe · Project Muse (Johns Hopkins University) | 14 Jun 2011 | 34 |
| 40 | Training of Avatar Moderator in Sliding Mode Control Environment for Virtual Project Management Vardan Surenovich Mkrttchian, Galina Stephanova · IGI Global eBooks | 2013 | 33 |
| 41 | Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts? S.K. Lichtenstein · Arcadia - International Journal for Literary Studies | 14 Jan 2003 | 33 |
| 42 | Mark Twain's life‐long fascination with phrenology Stanley Finger · Journal of the History of the Behavioral Sciences | 20 Feb 2019 | 30 |
| 43 | ASMR: bodily pleasure, online performance, digital modality Paula Harper · Sound Studies | 14 Nov 2019 | 29 |
| 44 | A Virtual-Reality Reconstruction of Poème Électronique Based on Philological Research Vincenzo Lombardo, Andrea Valle, John G. Fitch et al. · Computer Music Journal | 20 May 2009 | 29 |
| 45 | Model in SM of DEE Based on Service-Oriented Interactions at Dynamic Software Product Lines Vardan Surenovich Mkrttchian, Alexander M. Bershadsky, Alexander Bozhday et al. · Advances in mobile and distance learning book series | 2015 | 28 |
| 46 | Sonic Rhetorics as Ethics in Action: Hidden Temporalities of Sound in Language(s) Steven B. Katz · Humanities | 29 Jan 2020 | 27 |
| 47 | ‘A Multiplicity of Instruments’ Peter J. Lyth · The Journal of Transport History | Sep 1990 | 27 |
| 48 | Headphone listening in live performance: a phenomenology of sound design Chris Wenn · Theatre & Performance Design | 3 Jul 2015 | 26 |
| 49 | Voice as birth of culture Veena Das · Ethnos | 1995 | 26 |
| 50 | Voice in French dubbing: the case of Julianne Moore Charlotte Bosseaux · Perspectives | 7 Jun 2018 | 25 |
Citations are OpenAlex's own counts, from its 2026-09-23 snapshot, so the ranking can differ from Google Scholar or Web of Science. A paper is listed for a field when OpenAlex files it under one of the field's topics; retracted papers and papers whose citation count cannot be traced to citing works are left out, and a preprint and the article it became are shown once. Release dates are OpenAlex's: where a source gave only a month or a year, that is what is shown. How the lists are chosen.